YOUTUBE | |
"Big, Bright Steel" is born from scraps of Cummins engine parts (video 4.26 min) | |
Jennifer Riley Fire-Fangled Feathers at ALLEGRA LAVIOLA GALLERY (video 8.30 min) | |
CATALOGUES/BOOKS | |
2015 | NEW YORK STUDIO CONVERSATIONS; Seventeen Women Talk About Art, Edited by Stephanie Buhmann, ISBN 978-3-941644-83-0, 215 pp. |
2015 | INDIANA UNIVERSITY MFA Thesis Exhibition Catalogue Essayist and Public Lecture, Bloomington, IN |
2013 | MEMORY FROM SIGHT, Exhibition Catalogue, Essay by Stephanie Buhmann, Allegra LaViola Gallery, NY, NY COLOR-TIME-SPACE, Essay by Joanne Freeman and Kim Uchiyama www.viovio.com/shop/45655 |
2003 | ARRANGED MARRIAGE; OUTERSPACES, Exhibition Catalogue Essay by Marjorie Vecchio, Chicago Contemporary Arts Council |
2002 | YOUNG AND BRASH AND ABSTRACT, Exhibition Catalogue Essay by John Yau Virginia Commonwealth University, ISBN-0935519-25-4 114pp |
2000 | NEW YORK CLASSICISM NOW, Exhibition Catalogue Hirschl and Adler Galleries, Including essays by Barbara Bloemink and Greg Hedberg Library of Congress ISBN no. 00132451, 48 pp. |
PRESS/PUBLICATIONS | |
2018 | BROCHURE ESSAY BY SHARON BUTLER, Jennifer Riley, “The Machine Series,” Silas Von Morisse Gallery, New York, NY, November 20 – December 18, 2018; |
2017 | INDYSTAR, "New Cummins Tower Stays True to Company's Aesthetic David Lindquist, Jan. 5 |
2017 | THE KEY REPORTER 9/21, Life of the Mind, New York Studio Conversations: Seventeen Women Talk About Art, Reviewed by Svetlana Alpers; ARTCRITICAL THE ONLINE MAGAZINE OF ART AND IDEAS, Sept.17, " Machines Of Paint And Other Materials" Critic's pick with brief by David Cohen; TWOCOATSOFPAINT .COM Oct. 16, "Machines of Paint and Other Materials" by Sharon Butler; |
2015 | COLUMBUS MAGAZINE, Import /Export / Exports:Big Bright Steel ‚ by CJ Woodring, Photos by April Knox,pp.70-77 |
2014 | THE WASHINGTON POST, Review by Mark Jenkins Sunday Nov 9 Out of Bounds, Neptune Fine Art; ART NERD CITY GUIDES: NEW YORK Sept., 23 by Lori Zimmer, Big Bright Steel NYCURBED.com 2014/08/12/7_ |
2013 | HYPERALLERGIC.com. "Standing on the Edge of Space: Painting as Noun and Verb"; Interview by Thomas Micchelli on the occasion of "Memory From Sight" Exhibition; WASHINGTON SQUARE NEWS, NYUNEWS Exhibition review by Marina Zheng; MODERNARTS Interview for ‚"Memory From Sight‚" with Darla Dowling; STEPHANIE BUHMANN ‚"In Conversation" Jennifer Riley February 2013; PDF WIX THE DORSEYPOST , NICKSOCRATES POST (painter's posts) Exhibition Review; |
2011 | ARTCRITICAL.COM 'Soundings' by David Cohen; TWO COATES OF PAINT Review of 'Soundings' by Sharon Butler; THE NEW YORK SUN (online) Critics Pick/Review " Fire Fangled Fathers" Franklin Einspruch; JOANNE MATTERA Artblog "A Bettor's Dream, at Carroll & Sons Boston, MA; THE BOSTON GLOBE Review of' A Bettor's Dream' by Cate McQuaid; THE BOSTON GLOBE 'Critic's Pic for A Bettors Dream; THE KALM REPORT, Rough Cuts, YouTubeVideo & brief interview during Spring Solo Exhibition at Allegra LaViola Gallery; ABSTRACTCRITICAL.COM Purism Off-Kilter:Stephen Westfall by David Cohen; |
2009 | ARTCRITICAL.COM, David Cohen, Review of Solo show at Laviola Bank Gallery; THE DOWNTOWN EXPRESS, Stephanie Bulhman Review of solo show at Laviola Bank Gallery; THE JAMES KALM REPORT, Interview for Solo show on YOUTUBE; |
2007 | THE BOSTON GLOBE, Kate McQuaid, Review of "Do You Remember?" at OH+T Gallery |
2006 | NEW YORK TIMES, Ken Johnson, "Everywhichway" at Edward Thorp; THE NEW YORK OBSERVER 'M. Navros "Everywhichway"; |
2005 | ART NEW ENGLAND May, Review of Spring Formal at OH+T Gallery; BOSTON PHOENIX Review of "Spring Formal" by Chris Millis; LAS VEGAS MERCURY "Less Is More" by Erika Yowell; LAS VEGAS WEEKLY "Dust Gallery Boasts Smart Pairing" by Chuck Twardy; |
2004 | THE NEW YORK SUN, July 9th, Gallery Going; Review of work in "Band of Abstraction" by David Cohen; THE COLUMBUS DISPATCH, Gallery Review of 'Venice, Two Views' |
2003 | THE NEW YORK SUN, Nov. 13 Gallery Going; Review of work in "The Sentimental Favorite" by David Cohen ARTCRITICAL.COM, Review of "The Sentimental Favorite" by David Cohen |
2002 | YOUNG AND BRASH AND ABSTRACT Exhibition Catalogue Essay by John Yau Virginia Commonwealth University, ISBN-0935519-25-4 114pp THE BOSTON GLOBE June 7, pC27, Review of New Paintings by Kate McQuaid; ARRANGED MARRIAGE; OUTERSPACES Exhibition Catalogue Essay by Marjorie Vecchio; |
2001 | THE BOSTON GLOBE Jan 3, Critics Pick by Kate McQuaid; THE SOUTH END NEWS, Jan. 17, Review of ''Recent Paintings'' by Brigid Watson; |
2000 | NEW YORK CLASSICISM NOW Exhibition Catalogue Hirschl and Adler Galleries, Including essays by Barbara Bloemink and Greg Hedberg Library of Congress ISBN no. 00132451 48 pp; THE NEW YORK TIMES Sept., 8 Review "New York Classicism Now" by Ken Johnson; THE NEW YORK OBSERVER July 17 Review " New York Classicism Now" by Hilton Kramer; THE NEW YORK ART WORLD Sept., Issue "New York classicism Now" by Joyce Korotkin; THE NEW YORKER Aug., 14 Issue; THE BOSTON GLOBE July 8 Review of Solo Show by Kate McQuaid; RETRO ROCKET On-line Review July 10 of Urdang Solo Show by; THE BEACON HILL/BACK BAY CHRONICLE "Symphonic Chromatic Stripes" By Chas M.Long and Marco Zarattini; |
1999 | THE BOSTON GLOBE Sept., 8, Review of " Idioscapes" By Christine Temin; THE BOSTON HERALD August Review of ''Idioscapes'' By Mary Sherman; |
1998 | THE BOSTON HERALD Dec., 20, Review of "Drawn" by Joanne Silver; |
1995 | THE BOSTON GLOBE, April 5, 1995, 'Living/Arts "The Artist and the Artifact", by Christine Temin.; |
1994 | THE BOSTON GLOBE, September 14, 1994, "Perspectives"; Review of "The Studio Show" at the Boston Center for the Arts, by Christine Temin, ART NEW ENGLAND December Issue 1994 Review of 'The Studio Show"; |